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When we first meet the beguiling singer, along with Paul, in a cosy cafe, she is wearing a tight, cream, woollen polo neck and a black, above-the-knee skirt, accompanied by nude legs and patent black loafers – as she later tells a Radio Europe journalist, “I like short skirts and flat shoes.” Her pixie features are framed by an immaculate, dark brown bob and blunt fringe, which she attends to frequently throughout the film.
Unlike the others, she didn’t have an acting or a modeling career (or a famous husband) to vault her into the public sphere. “I Have Never Heard of, Much Less Eaten, Any of the Foods in This Juice Lady’s Food Diary” was the title of a sneering Jezebel article that followed.
Her pert bob remains picture perfect and her penchant for minimal accessories – a black, gold-trimmed clutch, a simple gold and black watch – provide a lesson in pared-back Parisian discernment.
But the overarching message to be gleaned from our ambivalent but ambitious heroine is to dress how you please; to embrace your youthfulness or step up your cultivated elegance as it suits you and to find empowerment in your choices.
Canadian actor Chantal Cousineau is speaking out on the sexual harassment she says she faced from film director James Toback.
Since coming forward, Cousineau has received support from dozens of other women.
The film is a love story between Paul (Jean-Pierre Leaud), a 21-year-old would-be intellectual fresh from a mandatory stint in the forces, and Madeleine (Chantal Goya), an aspiring pop star, working in the photo department of a Parisian magazine.