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Anatolia has been the cradle of numerous civilizations for thousands of years and the birthplace of the three major religions: Christianity, Judaism and Islam.This fact alone, lends Turkey its unique and invaluable cultural and archaeological heritage.Because of its secular position in the world, the Turkish attitude toward religion has been on of tolerance.Judaism, which was the first monotheistic religion, was widespread in Anatolia.An important sector of polytheistic religions had flourished in Anatolia as the monotheistic religions were established in the Middle East and as the religious areas were discovered.These places have been considered holy and sacred since the Middle Ages and were located in Anatolia a region that has and still does act as a cultural bridge due to Turkey's geopolitical situation.Recent archaeological excavations conducted in the Aegean region indicate Judaism's existence since the early 4th century B. Sardis (Sart, near Salihli) contains the remains of one of the oldest synagogues dating back to 220 B. which provides a fine structural and archaeological example of this place of worship.Remains of another ancient settlement belonging to the Jewish people was unearthed during excavations conducted along the Aegean and Black Sea Coasts.
For example, a painting of a crucifixion scene which drew attention to some fundamentally weird or blasphemous physical attribute of the dying Christ would hardly merit the description religious art.
Religious art is any work whose theme supports the moral message of the religion it purports to illustrate.
In this context, religion means any set of human beliefs relating to that which they regard as sacred, holy, spiritual or divine - whether or not deities are involved.
Furthermore, certain religions (Eastern Orthodox, Islam) have certain rules circumscribing the type of art permitted: a sculpture of Muhammad would be regarded as a blasphemy, rather than a piece of religious art.
Thus, to qualify as "religious", the painting, sculpture or architecture concerned must have some recognizable moral narrative, that imbues the work with the necessary sacred "quality." As with the assessment of all art, determining whether or not this moral attribute is present, is essentially a subjective exercise, although in most cases the answer is likely to be fairly straightforward.In 1394, the Jewish people departed from France on the orders of Charles VI and look refuge in Edirne.